
While on this blog we normally discuss how politics are affected by the business of media, today’s focus is the idea of content distribution. While that might not involve any political angle, it’s important to remember that content distribution is the basis for all media and how content distribution goes in the future, so too will go the major news and political outlets.
In early April, Disney finally announced the launch date for its long anticipated streaming service labeled “Disney+”. What made the biggest headlines from the event was the announcement that the Mouse House was going to offer the service for a shockingly low $7. That turned all attention to long-time streaming entertainment king Netflix and what kind of a blow the Disney announcement would be to them. The problem with this thinking is that the announcement that will impact Netflix the most negatively was not the Disney+ price, but the closing of the Disney deal in buying out the 21st Century Fox Studios. That is the kind of deal which could put Netflix nearly out of business in a decade’s time.
Netflix has been king of the streaming services for the past 10 years or so for one simple reason: content
Netflix has been king of the streaming services for the past 10 years or so for one simple reason: content. Yes there has been other contenders to the crown with Hulu and Amazon Prime, and while those services have produced some very high quality programming from “The Night Manager” to “Ray Donovan” to “The Handmaid’s Tale”, and even generated heavy internet buzz with the likes of “Good Omens,” Netflix is still thought of as the Q-Tip or Kleenex of the business. A product so recognized as the best, the brand gets confused for the service as a whole. You don’t stream and chill, you Netflix and chill.
Netflix likes to boast of its high end production ventures as of late, including the company’s first ever Oscar wins with Alfonso Cuaron’s Roma and critically acclaimed Coen Brother’s film The Ballad of Buster Scruggs being nominated for another three. It also became an internet sensation in the past year with Birdboxbeing seen by an announced 80 million viewers and launching a number of viral challenges across the social media spectrum.
Netflix’s domination of the streaming service actually comes from a much different form of content: binge-worthy shows the company doesn’t control
But the reality for Netflix’s domination of the streaming service actually comes from a much different form of content: binge-worthy shows the company doesn’t control. Shows like “Friends”, “Parks & Recreation”, and “The Office” have become staples to the Netflix line up for consumers looking for some comfort watching. It’s no different than tradition television where shows long out of production are still worth vast fortunes in syndication alone like “Seinfeld” or old reruns of still current shows like “The Big Bang Theory”. Since Netflix traditionally refuses to release numbers on how many viewers have watched certain programs (other than bragging about Birdbox’s success), it’s hard to exactly pinpoint the number of Netflix subscribers who are paying to stream just for those specific binge-worthy shows but if we look at the example of “Friends”, it’s not hard to see how it has Netflix shaken to the core.
Late in 2018, word began to spread that all 236 episodes of “Friends” was going to be taken off of Netflix come January 1, 2019. This set off a rage across social media and eventually lead Netflix into an agreement to extend Friends on its platform through all of 2019. Before anyone rips Netflix for being so stupid into getting rid of Friends, know it’s actually the other way around. It’s “Friends”, or to be more specific, Warner Brothers Studios who has the licensing rights, that will pull it. But still one more year of “Friends” is so valuable to Netflix that they are paying around $100 million to continue streaming it (up from nearly $30 million). Or nearly three times the production budget for Roma and Birdbox combined.

Now that the Department of Justice has signed off on the AT&T deal to buy up Time Warner, the new mega-media company is already looking to launch a streaming service of their own with expectations for that to be around the end of 2019. This could be even more complicated for Netflix considering AT&T is also one of the largest internet service providers in America giving the planned new Warner Brothers streaming service a direct access to customers with its large library of shows and movies to fill up plenty of content void at the launch. It would also be most likely that 236 episodes of “Friends” will be a major tent pole in that launch. This all comes before the fate of net neutrality laws are known and could pummel Netflix even more (as covered here).
The largest cable and internet service provider in the United States? That’s Comcast which owns NBC Universal and it’s massive library of movies and shows, including “Seinfeld”, “The Office”, and “Parks & Recreation”. With Disney ready to launch, and Warner Brothers gearing up to start streaming services, it won’t be too much longer until Comcast/NBC Universal decides to get in the game.
80% of Netflix viewing was that of licensed content which is content Netflix is streaming but doesn’t own.
According to a 7Park Data study, in 2017 80% of Netflix viewing was that of licensed content which is content Netflix is streaming but doesn’t own. Add in that some of Netflix branded “originals” aren’t entirely Netflix created but are the only place to watch them within the United States. A lot of these originate with the BBC for shows like “Luther” or “Babylon Berlin” which was co-produced by ARD and Sky as the most expensive German show ever. While programs like that might still do good business with Netflix, they are not tied down to the company and can seek greener pastures if they wish to any of the new streaming services coming soon.
Even some of Netflix’s actually original produced shows come under fire when you realize some of their biggest hits for television-like scripted shows were “Jessica Jones”, “Daredevil”, and “Iron Fist”, all three of which are Marvel licensed characters which is owned by Disney which is starting its own streaming service. If any reincarnation of the characters or the shows are going to be made, it’s going to be done on Disney+ and not Netflix.

While Netflix will proudly display its artistic and visually stunning and expensive original programming, it’s entire empire was built on the foundations of other studios’ work. Now that those studios are starting to catch up and launch streaming services themselves, why should they let Netflix continue to profit off their work when they can keep the content in house and rake in the money themselves. Yes Netflix will still have some desired programming like the Emmy winning “House of Cards” and “Stranger Things”, but given a choice would a consumer take that pairing or a streaming service that includes every Disney movie, Star Wars movie, Indiana Jones movie, the Marvel Cinematic Universe, the X-Men franchise (now under Disney fully with the 21st Century Fox deal), as well as the entire television catalogue of ABC and 21st Century Fox which includes all 30 seasons of the “Simpsons”? It seems like that is a no-brainer.
Disney+ has been stealing all the headlines for its price point at $7 with the launch, but the real demise for Netflix is just all the content that Disney+ can offer. When it comes right down to it, as long as the prices between the two companies are close enough (and the free market will determine where that number is), Disney will always win on the power of their offerings. So too will Warner Brothers. And NBC Universal. And CBS (which is starting to dabble in the streaming world with CBS All Access). For a company so synonymous with streaming content to your home, Netflix will have very little to offer after the production studios take back what’s theirs. It won’t be overnight, or even in the next few years, but the world of content distribution will pass them by. In the future world of media in the digital age, whoever has content is king. That works for news, sports, movies, or just plain old comfort binge watching.







